The Grainger Wind Symphony has a commitment to perform published works by Australian composers, including Percy Grainger, and support composers in their endeavour. Each year the Grainger Wind Symphony presents a public concert devoted to Australian composers and their compositions. In 2019, it will be Saturday 25 May.
Here are some ways composers whose works are accepted can benefit from submitting a work to the Grainger Wind Symphony for performance to:
- receive feedback from experienced musicians
- hear their work for wind symphony played by expert musicians
- attend rehearsals to discuss their work with players and obtain an audio recording of the rehearsal
- attend a live performance and experience the full process from players doing first sightread to the performance.
Australian composers are invited to prepare and present score and parts of an original composition for wind symphony that is self published.
The usual instrumentation of The Grainger Wind Symphony is as follows.
One piccolo part, two flute parts, one or two oboe parts, one or two bassoon parts, Eb clarinet part, 1st clarinet, 2nd clarinet and 3rd clarinet parts, bass clarinet, saxophones in AATB.
Three, four or five trumpet/cornet parts, two or four horn parts, 3 trombone parts with third part being for bass trombone, euphonium part, baritone treble clef part (doubling the euphonium part), tuba, string bass, and percussion as required for around 4 players including piano.
First deadline is Thursday 31 January 2019 for submission of full score in pdf, parts in pdf, a composer bio, a recording of the work and program notes via email.
The committee will determine suitability of the work in selecting for performance. If selected, feedback will be given if parts and score need clarification. The music director may request a meeting to discuss the work.
Final submission deadline is Monday 25 March 2019 of the successfully selected work with spiral bound full score and set of parts in standard numbers used by publishers of concert band music. There may be requests for minor editing of parts.
Rehearsals commence Wednesday 24 April 2019. Successful composers will be invited to attend a rehearsal at a negotiated time, and will have an opportunity to speak briefly with the players and conductor. All rehearsals of the work will be recorded and made available to the composer each week.
The public performance is a concert Made In Australia on Saturday 7.00pm 25 May 2019. Successful composers will be offered complimentary double pass to the concert. A recording of the performance will be given to the composer once the recordings are produced.
Questions can be directed to Roland Yeung Music Director m: 0432 445577. Submissions should be emailed to email@example.com.